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Cover Thought-Forms
Laura Apol
On My Fiftieth Birthday I Return
& other poems
Jihyun Yun
Aubade
& other poems
Jamie Ross
Red Jetta
& other poems
Sarah Blanchard
Carolina Clay
& other poems
lauren a. boisvert
Save a Seat for Me in the Void
& other poems
Faith Shearin
A Pirate at Midlife
& other poems
Helen Yeoman-Shaw
Calling Long Distance
& other poems
Sarah B. Sullivan
Iris
& other poems
Timothy Walsh
Metro Messenger
& other poems
Gabriel Spera
Scratch
& other poems
Zoë Harrison
Pattee Creek
& other poems
AJ Powell
Blanket
& other poems
Alexa Poteet
The Man Who Got off the Train Between Madrid and Valencia
& other poems
Marcie McGuire
Still Birth
& other poems
Kim Drew Wright
Elephants Standing
& other poems
Michael Jenkins
The Garden Next Door
& other poems
Nicky Nicholson-Klingerman
Costume
& other poems
Doni Faber
Man Moth
& other poems
M. Underwood
In Other Words
& other poems
Carson Pynes
Diet Coke
& other poems
Bucky Ignatius
Something Old, . . .
& other poems
Violet Mitchell
Deleting Emails the Week After Kevin Died
& other poems
Sam Collier
Nocturne in an Empty Sea
& other poems
Meryl Natchez
Equivocal Activist
& other poems
William Godbey
A Corn Field in Los Angeles
& other poems
I had a Known Traveler Number with TSA Pre-Check from the Department of Homeland Security. I’d received the Latin Award in junior high school. Certainly, I was up to the task.
My mentor was a scion of the Scranton Lace Company. He advised I wear a hand-tied wig to disguise myself. We chose a holiday when the staff flew kites in the park and the Marsh of Epidemics was uncharacteristically illness-free.
Once inside the reception hall, I located the Fragonard that hid the safe where the Compendium was kept. The adjoining rooms were filled with enamelware, mostly from the Middle Ages.
As I began to spin the tumblers, I noticed the tessellated floor had been mathematically tiled by a pattern-burring machine. It could mean only one thing: metaphorically, the music was about to stop, and I was without a chair.
Qui gladio ferit, gladio perit. I sat cross-legged on a tufted velvet settee and reviewed my Miranda rights, as lasers striated the gallery and alarms began to shriek.
They act like they’re in love in public, but there’s nothing dove-like about them. They’re particles in the Hadron Collider, dressed up in evening clothes. It’s said when they first ran into each other at the Dutch embassy in Paris, it was nearly tectonic—the Himalayas forming over pheasant, purée and a mediocre red.
Her people are the Charbonneaus, and that black line has left its mark on her beauty—she has the mouth of a monkfish. His father was the monarch of a principality absorbed into Nice, and he is now, more or less, the king of all those nice Niçois.
I rarely have them over; they’re too volatile for bridge, and they frighten the dogs. May I offer you another digestif?
When Death arrived at the door, it was not as a hooded figure shrouded in black, but rather a dark, shapeless mass with hands. The hands clutched the retractable handle of a large black suitcase, the kind too many people check on overseas flights.
All she said was—Time to go. Previously, on similar occasions, I’d tried to cry out but could produce only a faint rasping sound. This time, I yelled as loudly as I could—No! No!
I woke, certain I’d actually shouted. But no one came running to my room to see if I were all right. The old house remained silent, and beyond the bedroom window, the darkness was all around us.
Don Hogle was the winner of the 2016 Hayden’s Ferry Review poetry contest as selected by Alberto Rios among other awards. His poems have appeared or are forthcoming in Chautauqua, The Hartskill Review, The Inquisitive Eater (The New School), Jenny (Youngstown State University), Stone Canoe, South Florida Poetry Journal, Pocket Change and Shooter and A3 Review in the U.K. among others. He lives in Manhattan. www.donhoglepoet.com