whitespacefiller
Debbra Palmer
Bake Sale
& other poems
Ann V. DeVilbiss
Far Away, Like a Mirror
& other poems
Michael Fleming
On the Bus
& other poems
Harold Schumacher
Dying To Say It
& other poems
Heather Erin Herbert
Georgia’s Advent
& other poems
Sharron Singleton
Sonnet for Small Rip-Rap
& other poems
Bryce Emley
College Beer
& other poems
Harry Bauld
On a Napkin
& other poems
George Mathon
Do You See Me Waving?
& other poems
Mariana Weisler
Soft Soap and Wishful Thinking
& other poems
Michael Kramer
Nighthawks, Kaua’i
& other poems
Jill Murphy
Migration
& other poems
Cassandra Sanborn
Remnants
& other poems
Kendall Grant
Winter Love Note
& other poems
Donna French McArdle
White Blossoms at Night
& other poems
Tom Freeman
On Foot, Joliet, Illinois
& other poems
George Longenecker
Nest
& other poems
Kimberly Sailor
The Bitter Daughter
& other poems
Rebecca Irene
Woodpecker
& other poems
Savannah Grant
And Not As Shame
& other poems
Michael Hugh Lythgoe
Titian Left No Paper Trail
& other poems
Martin Conte
We’re Not There
& other poems
A. Sgroi
Sore Soles
& other poems
Miguel Coronado
Body-Poem
& other poems
Franklin Zawacki
Experience Before Memory
& other poems
Tracy Pitts
Stroke
& other poems
Rachel A. Girty
Collapse
& other poems
Ryan Flores
Language Without Lies
& other poems
Margie Curcio
Gravity
& other poems
Stephanie L. Harper
Painted Chickens
& other poems
Nicholas Petrone
Running Out of Space
& other poems
Danielle C. Robinson
A Taste of Family Business
& other poems
Meghan Kemp-Gee
A Rhyme Scheme
& other poems
Tania Brown
On Weeknights
& other poems
James Ph. Kotsybar
Unmeasured
& other poems
Matthew Scampoli
Paddle Ball
& other poems
Jamie Ross
Not Exactly
& other poems
the wreck and not the story of the wreck
the thing itself and not the myth
—Adrienne Rich, “Diving into the Wreck”
It’s my first time in a real dive: dimly lit, Willie lilt, cue-ball-scuffed floor, basket of condoms by the door. I ask what they’ve got and stop her when she gets to Schlitz.
Before I clack the can open I conjure my father sneaking The Beer that made Milwaukee Famous into an Oral Roberts dorm,
swigging it mid-June Oklahoma storm from the driver seat
of his first Austin-Healey,
dwelling in that space of time he lived the stories he tells.
Bitter, tinny, it tastes like college beer.
Hemorrhage paralyzed him at 43. He’s 64 now. He doesn’t drink.
Every year is a stroke toward a closing surface,
a swimming out of the wreck,
the thing itself bluing into myth beneath.
The next round I take an AmberBock, and it tastes like it did in the Applebee’s on University all those times.
In every living city the haunted ruin
—Robert Pinsky
i.
I’d like to think they didn’t see it coming—
denarii left on counters like quarters on a dresser,
bodies bound in awful contortion,
arms clung around Fortuna medallions—
but the tremors in the earth a week before
that shook their bones in god-like warning
while they pressed and jarred wine
grown and named on what would bury them,
their doors inscribed with Salve, lucru
ruin that tragedy, build us a new city still
haunted by a decadence for us to marvel at
as tourists and let ash and time conceal.
ii.
I’d like to think we didn’t see it coming—
our two bodies like bills wadded on a dresser,
too bound in painless contortion for us to grasp
that we had clung to what wouldn’t save us—
but how could we not have felt the tremors
in our bones branching through marrow
as we pressed tongues and fingers,
buried ourselves beneath ourselves,
our end always inscribing itself
in our skin, ruined from our start
by the decadence of flesh, the baggage
we carried as tourists in each other’s countries.
What should we gain by a definition . . .?
—Ludwig Wittgenstein
It could be large,
maybe medium, basically
whatever just isn’t small.
One-fifth who have it last
another five years—
after that, some other statistic.
Nine times more common than small,
more women than men,
smokers and nonsmokers,
occasion for the one cigarette
lying dormant
in a drawer.
Clinical pamphlet,
Harvard doctor,
quick Google search—
some terms we can only define
by fissures branching our chests,
creating the loss by our knowing them.
Bryce Emley is a freelance writer and MFA student at NC State. His poetry can be found in Mid-American Review, Prairie Schooner, The Cortland Review, Your Impossible Voice, etc. He’s on staff for Raleigh Review and BULL: Men’s Fiction and blogs about advertising at advertventures.wordpress.com.