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Cover
Joel Filipe
Kristina Cecka
Rabble
& other poems
Gillian Freebody
The Uncivil War of Love
& other poems
LuAnn Keener-Mikenas
Skunks at Twilight
& other poems
Alyssa Sego
Passage
& other poems
Anne Marie Wells
Forest of One
& other poems
Brent M. Foster
Ode to Darwin
& other poems
Jack Giaour
trans man is feeling blue
& other poems
Alan Gann
how strange
& other poems
Richard Baldo
The Privilege
& other poems
Michael Fleming
In
& other poems
Holly York
As it turned out, there was no bomb on board
& other poems
Celeste Briefs
Late Poppies
& other poems
Kayla E.L. Ybarra
Goose Song
& other poems
S.E. Ingraham
Leaving to Arrive
& other poems
Rachel Robb
Molting Scarlet Tanager
& other poems
Bruce Marsland
Sauna by a Finnish lake at Midsummer
& other poems
Ellen Romano
Seven Sisters
& other poems
Greg Hart
False Coordinates
& other poems
Greg Tuleja
Shanksville
& other poems
Corinne Walsh
Southern Charm
& other poems
Who knows why
some oak leaves remain
latched to the branches
that sprouted them, enduring the lion
gales of January, the grizzly hale
of March, while others float
effortlessly to the ground,
never meant to hold on.
The fox lay mangled
on the side of the highway, dead, of course, in a pool of ended potential. The days she once knew—free but bound to her role in predator and prey, shackled to the means by which she survived—were over, and her shredded pelt could not, at this point, even find use in a furrier’s workshop had she surrendered her dignity in exchange for a vain existence traveling on the hood of a coat in the upper echelons of the city, feeling the arias of sopranos resonate in the tips of her fur from a Kennedy Center box seat or the September whir of the turnpike whooshing through her cayenne and ginger tones from the passenger side of a top-down Aston Martin.
The beast would never know what tragedies would have hit her if the tires had not, and yet, she still had work to do in this world. She was no longer just a fox, but had she ever really been? If she lived on now within the veins of vultures and crows, raccoons and coyotes, within the grass peeking out from the gravel, hadn’t she, too, always lived as a composite of the past? An amalgam of all the realities that were once possible—the ones that still are and the ones that are no longer. One life had come and gone, sure. But what is it to release one unrealized dream when standing at the threshold of
The clouds paint the sky in watercolors
as I commit my feet to the Earth blessing
the worms and voles blessing the needle
-laden soil weaving between my toes as I sink
beneath the surface Thrushes play their tinny flutes
and I laugh at the quilt of doubt I patched
from years of revolving doors
and fire escapes Why has it felt so hard to find freedom
in stillness? The way trees have done for ages?
Instead of asking if I will endure the months
heavy with bitter snow falls with the trust
needed to swear nothing will change or asking if
I will tire of this view after I let my skin harden
let my hair fill with the smell of dust can I
intertwine my branches and vow to bloom
a ring for each year I’ve forgiven myself?
Can I keep pushing toward a new unknown?
Can I let myself settle into an evergreen existence?
Allowing everything else to whorl around me?
Anne Marie Wells is the author of Survived By (Curious Corvid Publishing, 2023), the inaugural winner of the Wanderlust Travel Book Award for her memoir, Happy Iceland, through Wild Dog Press, and the 2023 winner of the Cinnamon Press Chapbook Contest for her collection, Mother, (v). She is the lead faculty for the DC Chapter of the Community Literature Initiative poetry publishing program and strategic partnership fellow for The Poetry Lab.