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Cover Marija Zaric
Kathryn Merwin
For Aaron, Disenchanted
& other poems
William Stevens
Celestial Bodies
& other poems
Kendra Poole
Take-Off, or The Philosophy of Leaving
& other poems
AJ Powell
Mama Atlas
& other poems
Matt Farrell
Waves in the dark
& other poems
Timothy Walsh
Eating a Horsemeat Sandwich at Astana Airport
& other poems
Nancy Rakoczy
Adam
& other poems
Joshua Levy
Venezuela Evening
& other poems
Ryan Lawrence
Vegan Teen Daughter vs. Worthless Dad
& other poems
George Longenecker
Yard Sale
& other poems
Susanna Kittredge
My Heart
& other poems
Morgan Gilson
Dostoevsky
& other poems
Jim Pascual Agustin
The Annihilation of Bees
& other poems
Taylor Bell
Browsing Tinder in an Aldi
& other poems
David Anderson
Continental Rift
& other poems
Charles McGregor
The Boys That Don’t Know
& other poems
Cameron Scott
Ashes to Smashes, Dust to Rust
& other poems
Kenneth Homer
Inferno Redux
& other poems
Alice Ashe
lilith
& other poems
Kimberly Sailor
Marriage's Weekly Schedule
& other poems
Kim Alfred
Soul Eclipse
& other poems
Grandma has a chin
so sharply contoured
you can grab the point
and shake her ’til it’s 1956
when my parents first met
at that gravel yard
where she had a chance
to stop them
avert their eyes
interrupt, or feign a faint, or play a trombone
packed in the Ford’s trunk
for just such an emergency
to avoid a lineage of trouble
today: in 2017, where it’s still upsetting.
Grandpa has a bland mustache
not really long or short
a handlebar or tightly-trimmed model
not white or gray or paint-by-number red
just colorless and present
like the many drab Easters the grandkids
suffered through
inside that Cincinnati house
Grandpa was always too polite
to say anything about Grandma’s funny chin
or her tense and sad way of doing things
in the crumbs of a shortbread and tea evening.
leave their babies outside. When I saw, I reported a crime: Abandoned Children!
on . . . every street? outside . . . every shop? the cop,
in some manner of hybrid language I understood
only through his disappointed tone, told me that americans and icelanders
are not the same. that here,
the mothers take care of all the babies, and the carriage sleepers would be just fine
while caregivers looked at sulfur coasters or goat soaps inside, because retail transactions
are “very important” on an island country
where citizens take so little shit
they proudly eat their national bird
and serve whale in restaurants
because both are nearby and free
and deliciously prepared with oil glazes
while a fellow american tourist, noticing today’s controversial specials,
declares her independence with a shot of birch schnapps
to honor our eagles and daycare centers
back home
the men who brought my stove
—heavy and expensive and the season’s bestseller—
arrived on a Wednesday, after the neighbor brought donuts
from that bakery you never tried
because it’s closed on Saturdays
when you are free for cake explorations.
She brought the donuts
because she knew I was sad. But the men, they did not care.
The men said: will this fit? is the gas on? where is the broom
because we must sweep this space first
while the neighbor
seeing my preheated tears
took the broom and said, “I will listen to you, men.
I will clean. I will make this work.”
While He, the one who baked my tears,
on Tuesday, Monday, and Sunday,
worked in Europe
and also wondered if the new stove would fit
from his lunchtime spot by a quaint canal
or how much resale
hot appliances fetch
should the house sale be divided in two.
I saw an eagle
bald and unabashedly soaring
like the heroes we fly our flags for
after they are old, and march in Main Street parades
where we stand and clap, feeling at once connected and removed
because we only know civil liberty wars now
not territorial disputes
of which this eagle had none,
snagging a field rabbit right along the interstate
just past the edge of town where we take our grass clippings,
root vegetables, filthy livestock straw, and used espresso clumps imported from Cuba,
because we are responsible, composting citizens now, who share and trade.
I saw an eagle
in a wild act of instinct from my roving analysis station,
but I did not tell you, even though you were beside me in the Volkswagen
looking east out your window, perhaps wondering if Germany has a national bird,
or admiring the mild unplaceable drawl of the radio newscaster who reports in birdsong
with high trills for good weather and whoop-whoops for the high school sports team
who always wins the home games.
I saw an eagle
but I did not tell you,
because I wanted a bit of splendor
and majesty, familiarity and rarity, all to myself
that lovely day last summer, when the oaks bent to hear our car wheels
push the ground, shaking with concern that we returned.
I have to lose twenty or thirty pounds and practice requisite
“self-care” which may mean eating soil-grown earthy
composted straw for holistic positive attention from my peer
group of mid-30s mothers who are dullish white with satiny
kitchen cupboards and semantically invented corporate
titles, because if I am not at once smaller and bigger
there will be no more of me left to give
the one who arrives after you
and I think he will get here soon
because even though I have couple’s therapy alone since
“the unit was beyond help”; even if my nose blackheads
don’t diminish with charcoal and I only burn electric;
even
or because
and should I never see you again
I will yawn the great sigh
of Christmas
with a different monogrammed wreath
but the same
painted pinecones
fashioned to a new front door
bright blue and finally,
my own
Kimberly Sailor is the current Editor-in-Chief of the Recorded A Cappella Review Board. She makes her home in Mount Horeb, WI, where she is an elected official on the school board, fosters rescue dogs, and keeps a lively backyard chicken coop. Kimberly Sailor is the author of the novel The Clarinet Whale, as well as other works of fiction and poetry, and an in-progress children’s book.